Showing posts with label Montreal. Show all posts
Showing posts with label Montreal. Show all posts

Monday, May 9, 2011

Day Three - aussi


Today I spent some time walking Montreal.

I took some time around the old canal - the Canal de Lachine, which was the old canal through which goods were shipped out of the Ports of Montreal to other parts of Canada and North America. I am struck by how the socio-political terrain of a city can change vastly. Montreal is still an affordable city - well in terms of property, provided you choose wisely, the metro is fairly connected throughout the city and the Bixi system (a interconnected system of rental bicycles), and depending if you would prefer dense housing or a yard and greater space between you and your neighbours will often decide where you might live. Oh, and your $$ as well. The area that I am staying in is very working class and was even more so in the past - it included the factory workers and the dock workers who off loaded the ships and placed crates and good onto the barges and then floated them down in land and onto trains and trucks. This area of Sainte Henri, like all of Montreal is being gentrified - maybe this area more slowly, but it is happening. However traditional structures and homes are maintained and the past enthocultural threads remain of working class French and Irish.

It is only while walking up the hill from Sainte Henri to Westmount when I am struck with the significant change in architecture and roadways. This must have been where the bosses of the factories and ship yards have lived over looking the activities of their workers and at the same time the workers peering through their commoners' eyes would have been looking upon the noses of their bosses. Indeed the class superiors perhaps both physically and symbolically looked down on the workers.

As I am walking and thinking about Montreal and the psydo-psycho walking tour I think about my family. My Mother's Father was a fisherman and while he and his family lived on the eastern coast of Newfoundland after being forced to re-located from the islands that his family considered home for over 100 years; he worked in Boston, Montreal and in the Atlantic areas with the fisheries and in some factories. I think of him and what his early twenties and late teens must have been like and what he did and where he went to find work and money for his family and to make a better life I wonder if he spent time in places like Sainte Henri and if he marveled at the big houses up in Westmount?

At the end of my evening with Karen, Jack, Nathan and Gabe I walk down the tunnel separating Westmount and Sainte Henri and I sit down on the lush grass (rather quite lush for so early in the Spring) and I lay down and look up into the sky and think of a time about 100 years ago and just let my working class body create a deep imprint into the lawn. Tonight it is my act of rebellion and homage to my ancestors.

Friday, May 6, 2011

day zero / jour zéro




Hello, I'm Todd and I am an artist / bonjour je m'appelle Todd et je suis un artiste.

So maybe that will not work, but the positive parts of this is that Montreal is truly a Canadian city and fully aware of its duality of Languages, well at least its duex langues officielles anyway. And my work has been constantly moving away from speaking at all anyway, or at least speaking with out words. I arrived in Montreal after a little more than an hour of turbulence and it is more than slightly raining here - it is wet and pouring. Anne Bertrand meets me at the bus stop at Lionel-Groulx and we run to her car and go to my new home (for the next week) on Ste. Marguerite in the neighbourhood of Saint Henri. I will be residing at the CRUM residency - The Centre de recherche urbaine de Montreal (CRUM) is a symbiotic (parasitic) research group with no exhibition space of its own. It uses the pre-existing exhibition network to present diverse projects. The CRUM is an artists collective dedicated to exploring links between art and urban space. Once there we are greeted by Karen Elaine Spencer and Douglas Scholes; Doug is the Guardian of CRUM and a collective founder and also a great artist exploring aspects of urban wilderness and detritus (my words, not his).

We sit around and chat I try to collect my bearings and share that I have not really slept since I was traveling at six - had to be checking in by five and should leave home by four… why bother. After about an hour or so we depart and Anne drops Karen and off at a Metro station and we head downtown / Centre Ville where Karen and I grab some food and catch up. Karen is one of the most sensitive and perceptive artist I know and we chat about a spectrum of things and at one point she ask me about how I think my artistic career might have went if certain in my life had not happened?


I think I am probably rather dogmatic and maybe romantically practical (not practical in romance, but romantic about how practical I am) and respond that everything that has happened to me makes me who I am - both great and not so great -- we are all products of our environments and responding to those. I try really hard to take ownership of things that I mess up and to respond in the moment, to offer praise, to be honest with myself and those around me... we talk more and she opens her pack-sack and shows me a loaf of white bread and a spool of twine, not thread. We talk more about what she has planned and then she asks me about me - my least favourite topic - about loss and grief and about my changing body. We talk a bit about this and she ask to place the bread on a part of my body that is deficient (my words) or changed. As we are also talking about dance and dancing I immediately think about my feet - missing toe and all and since my feet have been such - pardon the pun - sore points for me I discredit that in my mind - I think of my legs - but lately my calves and think have grown larger and more firm so I think not. We talk about a project that I have shared with Karen about having my hands bound for 72 hours and I think no to this as well. More and more I am drawn to my face and mouth, my eyes. However, in the end I pick my neck. I think of dancers and the symmetry of bodies and the definition and definite lines of muscle and sinew. She slowly layers about six or seven piece of white bread on my neck and secures it by wrapping it with the thread. The bread smells of yeast of and carbs. I re-dress and we enter into the crowds at Place des Arts.

Later in the evening Karen notes that I look graceful and handsome and that people notice me - it probably has to do with the slices of bread wrapped around my neck - however I do notice that people notice me and stare. at the end of the evening the bread is dry and starting to crumble and I ask Karen to cut it off of me and we leave it to go back to the earth or at least to the pigeons.

Wednesday, May 4, 2011

Leaving on a Jet Plane


Hello?

Maybe you remember me?
It's me Todd.

I know, it seems like so long since we have chatted, since I paid attention to you…

Well tomorrow morning - early, I depart Edmonton and fly to Montreal for a exciting week of research creation.

I was invited many months ago by the amazing Karen Spencer and Anne Bertrand for a project at Skol. They have called it teasing the furtive or gosser le furtif which is an on-going curatorial project curated by Karen Elaine Spencer. Read more about this and the great furtives (that what I call them) at http://teasingthefurtive.wordpress.com

Karen is awesome and I fell into love with her work by just reading about it many years ago and I have had the pleasure of curating her and working with her. While this will not do the work justice it often threads social justice and is often situated by the voices of disenfranchised people - often manifesting as one voice that is a collective of many. We are very similar in many ways in terms of our practice and our activities - but she is constant, focused, driven and prolific. Please read her at
http://likewritingwithwater.wordpress.com

Okay, I have to go pack - eight days - me being an artist - no work - limited emails - lots of talking, drinking, watching, and I hope be being ... silent.